Homer, are you still holding the can?

without any account

Did they make this easier? I have a Sage and I had to open a SQLite database file on the e-reader, then flip some flag, to bypass account sign in. But that was a few years ago.

It’s the Trolley Problem. Many people finding themselves in that problem would say, “Of course I flip the switch, one person is less than five people”.

But if you take a step back it’s reasonable to ask, “WHY did I suddenly find myself in this Trolley Problem? Trolleys don’t spring into existence fully formed like Athena springing from Zeus’ forehead. They are designed and built, piece by piece. The switch was setup by the agency of someone. People were kidnapped and tied down by force. I was placed here on purpose.”

So given that realization it’s also reasonable when told you must choose to say, “Why? You designed this system. You tied the people down. You could have done it differently and instead deliberately did THIS. I had nothing to do with it and I refuse the premise that I must participate in your fucked up game. No matter what happens the blood is on your hands and I refuse to share in your guilt.”

That’s the essential argument. There’s the realpolitik decision to do “less harm”, but you can also reject the fucked up premise.

Not me, but someone I was dating. Her family owned a Chevrolet dealership and she was always driving some kind of lightly used mid-range sedan. Two of them catastrophically failed and one of them would randomly shut off when going over slight bumps. Like going over an expansion joint on a bridge could do a full shut off, no power steering, etc. These were all sub 20k mile cars. She would just get it towed back to the lot and get another one, like a disposable product. The family laughed about ripping off customers. The whole operation was banking off soccer moms buying enormous Suburbans and boomer nostalgia for Corvette. Basically just rent seeking an ancient contract to be the dealer for a large territory. Needless to say I will never buy a Chevy.

Toxic megacolon. Sounds like a metal band.

A soil probe and sample boxes. You use the probe to take what looks like a little core sample and send it off in the box to get a soil analysis from the local university extension (for a nominal fee).

Back in the day TCL was used in a few places in Pixar’s Renderman renderer (called PRMan), and in its connection to Maya. You could write little TCL scripts within the Renderman Artist Tools (RAT) that would be evaluated during scene export. I think this still exists in some form inside Tractor, which is their renderfarm management software.

It’s been a long time since I used prman but generally Python has replaced everything as the “glue” language, which honestly makes things a lot easier. VFX and game dev used to have a hundred different scripting languages rolling around.

I ran into a guy from high school and it turns out he worked for Microsoft back in the Windows Mobile days. He said that changing even a single button on a submenu would take six months of meetings, and if it involved other departments they would actively sabotage any progress due to the way MS internally made departments compete, so you could basically forget it. He said they literally backdoored software so they could sidestep other departments to get features in.

I think about that a lot.

I agree with this. It’s the artists, not necessarily the “style” itself. Basically the fundamentals of visual language are what’s hard to master, just like writing beautiful poetry requires mastery of a written/spoken language. Artists that have spent the time and put enough thought and practice into creating their own unique voice will be difficult to replicate.

Some modern artists I can think off of the top of my head:

• Piotr Jabłoński’s art for the Dishonored series
• Laurel Austin and Wei Wang’s art that created the modern Blizzard look.
• Disney Studios’ Nine Old Men.
• Craig Mullins the “grandfather” of digital painting.
• Traditional painters like Arthur Gain, Richard Schmid, Ruo Li, Mark Boedges, and on and on.

It’s an interesting article, I couldn’t help but think of how “Pirate Speak” really comes from Robert Newton’s acting in a famous Disney movie. So while it predates big tech’s debasement of culture it’s still a “top down” artifact, in a way. I guess you could say it came from a creative decision of an artist (Newton adapting his native accent) and initially caught on for good fun rather than for profit. So far less cynical than the radioactive shit getting pumped out now, if for no other reason than in the 1950s Disney hadn’t figured that shit out yet.

When I was in elementary school I entered the bathroom and some other boy was standing with his back against the wall, facing the urinals, with his pants down and his dick out. When he saw me he said, “No wait! I can make it!”

He then started to piss. He apparently was pissing as forcefully as he could, trying to “make it”. As his stream started it went all over the floor in front of him, then crept up the wall, splashing all over the pipes and the bottom of the urinal. Finally he got, at best, one drop of piss into the urinal at which point his stream retreated and he re-sprayed everything a second time.

“YEAH!” he said. “YEAH!”, in victory. Then he left.

It’s been like forty years and I still remember this. I have five memories from elementary school and this is one of them.

Not a huge fan of snakes. It’s not to phobia levels, but I get a huge adrenaline rush when I see one, even if a fraction of a second later my forebrain identifies it as harmless. I love being in nature, so it’s just something I have to deal with.

I’ve had several rattlesnake encounters and it’s at least one guaranteed nightmare every time. The dream is always the same: I’m standing somewhere at dusk, often barefoot. Under a nearby, low object I see a rattlesnake. Then I see another to the side. Then another behind me. Then I realize they are everywhere.

I really hate ticks, so I appreciate their rodent killing service. But if we never ran into each other again that would suit me fine.

Agreed, and there’s a good chance that log is full of one thing spamming over and over, and the devs would love to know what it is.

Just spitballing but you’d have to align the desired shape somehow, perhaps with a singular value decomposition. Once its transform was normalized you could compare its shape, or perhaps its convex hull, with a database of banned shapes.

The problem is this is pretty easy to defeat (by adding extra sprues and spikes to the object, breaking it into two shapes, etc) and the more aggressive you get with the check the more you risk false positives.

An AI training set would involve creating a dataset of all the banned shapes, then generating tens of thousands of permutations of them however you believe people might try to trick it. Ultimately the AI would lock onto some small feature of the shape that scores it as positive, perhaps something trivial. That also leads to weird false positives. This also creates an arms race as people figure out what that feature is subvert it.

This problem is much harder in 3D than in 2D (currency). Since you can also cut, file, and glue shit that comes out of a 3D printer later I don’t think this is a solvable problem. Like most gun control measures in the USA it appears to be aesthetics.

You could also just aggressively go false positive all over the place and say “fuck the users”, with exceptions for cops. This is basically the USA’s approach to drones.

The low men.

It’s annoying when the vacuum system has a small leak so, over that long road trip, the car is always slooooowly losing speed. It’s such a nightmare to diagnose, at least as a DIYer.

I would add Grist to that list for climate focused reporting.

Yes, there are propane powered mosquito traps that emit heat and CO2. Supposedly they are effective but costly.

Hah, nope. Shrek was made in Glendale, so they probably had everything on site or right next door.

In the early 2000s I worked on an animated film. The studio was in the southern part of Orange County CA, and the final color grading / print (still not totally digital then) was done in LA. It was faster to courier a box of hard drives than to transfer electronically. We had to do it a bunch of times because of various notes/changes/fuck ups. Then the results got courier’d back because the director couldn’t be bothered to travel for the fucking million dollars he was making.